Are you holding inside pent-up emotions about a fast transforming community landscape, evictions, police brutality... do you have powerful stories to share and just can't find the way to get them out... or have you been thinking about performing for a long time and never quite found the time or resources to do it...?
Galeria De La Raza and USF's Performing Arts & Social Justice Program proudly announce this unique arts & education project consisting of 10 (ten) free weekely Performance in Community class sessions.
Thursdays from 3:00 to 4:00pm, from March 5 through May 7.
Classes are free and open to community members interested in learning introductory theatre/performance tools.
Starting with basic ensemble and individual exercises, and working in an inclusive and safe environment, participants will be guided through the dynamics required to release the expressive potential in their bodies, engage in creative storytelling, gain confidence to stand in front of an audience, and finally, structure a draft of a solo or collective performance piece.
No previous experience in performance required. Sessions will be conducted by USF professor Roberto Varea, and students from his Theater and Community Engagement course. Si hablas Español, te esperamos!
Registration is limited to 12 community participants.
If interested, please email email@example.com or call Yosi at 415-826-8009, or attend an information session on Sunday, February 22, 3:00pm, at Galeria de la Raza's Studio 24 (corner location).
S24 presents African Indigenous Swag
by Azteca Negra, Tres Mercedes, and Soldadera
Wednesday, April 1, 2015 - Saturday, May 30, 2015
For the 2015 launch of Studio 24 Presents, Galería de la Raza welcomes local Bay Area artists working with textiles: Azteca Negra, Soldadera and Tres Mercedes. These three artists work with fabrics and patterns that reference their Afro-Indigenous histories and bring them into contemporary urban objects and merchandize. The hand made objects recall histories of liberation, honor, pride, boldness, resistance, revolution and spiritual meanings. The showcased items are firmly rooted in identity and merge culture, modern art, geometric principles and traditional textiles that are incorporated in shoes, hats, earrings, and scarves, amongst many other items that celebrate and share traditional and modern art-form practices, beliefs, and positive messages.
I am Daughter of the Diaspora. African born in America. Cuban born in California. I am Afro-Latina American. Raised in Oakland, California my soul found a physical place to call Home. Growing-up I listened to my elders tell stories of Black Panthers and I heard my elders tell stories of the Cuban Revolution. How can I contribute this beautiful struggle? My Weapon of choice is Art. I studied at YouTube University, traveled, meditated and finally got my degree in Ethnic Studies at Mills College. After submitting my thesis I never wanted to sit in front of a computer. I wanted to use my hands to spread knowledge and culture for The People. Some classmates laughed saying you went to college just to make earrings. They don't really know me. I'm a creator, educator, activist, inspiration, self- esteem booster, cultural fashionista, and businesswoman. I specifically like to use African fabric. I wanted to integrate African traditions into everyday urban American lifestyle. The vivid colors and unique patterns captivated me. I want to put it on everything hats, shoes, journals, bags, and more. African traditions and hip hop culture are both about sampling from the past and remixing it and that's what I achieve with my art business, Tres Mercedes. My soundtrack: live concert of Fela Kuti and Celia Cruz.
In her desire to create personal and heartfelt gifts for close friends, Julisa Garcia, creator behind Soldadera, began making earrings using African and Mexican textiles.The prints, colors, textures, and overall boldness of the textiles are elements that draw her towards them. Each piece is made with a certain mindfulness that honors and celebrates the cultures in which Julisa identifies. The San Jose native is a Xicana, Puerto Rican who proudly claims, celebrates, explores, and defends her indigenous and Afro-‐Latino roots. The hoops, bamboo and door knocker shaped earrings are a nod to hip hop, a culture born out of resistance. The vibrant colors, the large size of the earrings, the overall unapologetic boldness of the accessories created coincide with Julisa’s radical, left-‐leaning politics which she weaves into Soldadera. The name Soldadera refers to the Mexican freedom fighting women who fought for liberation on the front lines and also from behind the scenes by providing nourishment and support to sustain soldiers in the fight for freedom. The love and commitment to liberation, the honor, pride, boldness, and resistance of revolutionary women and men influences the overall aesthetic of Soldadera. Each piece is thoughtfully made to celebrate and uphold the cultures represented.
EXISTE LO QUE TIENE NOMBRE: Contemporary Photography in Mexico
Thursday, April 2, 2015 - Saturday, May 9, 2015
Existe lo que Tiene Nombre: Contemporary Photography in Mexico, an exhibition guest-curated by Sergio de la Torre and Javier Ramírez Limón, features the diverse work of 22 contemporary Mexican photographers, both emerging and established.
Addressing the question of how photos influence our understanding of reality, photographers in this exhibition explore the central issue surrounding photographic representation of the subject.
The complete portfolio of artwork from Existe lo que Tiene Nombre is co-presented by Galería de la Raza and San Francisco Camerawork.
LIST OF ARTISTS:
Adela Goldbard, Aglea Cortés, Alejandra Laviada, Alejandro Cartagena, Alfredo Káram, Bruno Ruiz, Carlos Iván Hernández, Colectivo Estética Unisex, Daniela Edburg, David Vera, Fernando Brito, Iván Manríquez, Jazzibe Santos, Jimena Camou, Juan Carlos Coppel, Livia Corona, Mariela Sancari, Mauricio Alejo, Melba Arellano, Oswaldo Ruiz, Pablo López Luz, Roberto Molina Tondopó, and Yvonne Venegas
Sergio De La Torre is a San Francisc-based curator, photographer, and Assistant Professor of Art and Architecture at the University of San Francisco. Javier Ramírez Limón is a photographer, educator, writer, and documentarian based in Tijuana, Mexico.
This exhibition is funded by the San Francisco Arts Commission and the Andy Warhol Foundation for the Visual Arts.
IN REFERENCE TO: Mexican Women of San Francisco
Digital Mural by Alejandra Regalado
Saturday, April 11, 2015 - Sunday, May 31, 2015
In honor of the work resulting from Alejandra Regalado’s 2014 Artist-In-Residency Project, In Reference To, Galería de la Raza presents the latest digital mural, which features photos from her work in San Francisco. The series of photos taken during Regalado’s time in in the city represents one part of a six-part series, from six different cities, culminating in the portraits of 500 Mexican immigrant women as well as an accompanying 500 images of singular objects selected by each woman as a reminder of her life left behind in Mexico. In Reference To explores the experience of Mexican female immigrants across America and investigates issues of cultural identity and femininity.
Saturday, May 23, 2015 - Sunday, July 5, 2015
Friday, June 5, 6-10pm
DJ Daniela (Xica Soul)
Lowrider car show with
rides featured in the exhibition
Opening Reception: Friday, June 5, 6-10pm
Featuring: DJ Daniela (Xica Soul)
Lowrider car show with rides featured in the exhibition
Closing Reception & Artist Talk: Thursday, July 2, 7-10pm
Featuring: Singing Bois serenading oldies
Galería de la Raza is pleased to present The Q-Sides, an exhibition of photographs and film that challenge long-held assumptions regarding the traditional exclusivity of heterosexuality in lowrider culture. Artists Vero Majano, DJ Brown Amy (Amy Martinez), and Kari Orvik reinterpret the album covers of East Side Story, Volumes 1-12 through a re-staging and re-imagining of queer inclusion within the traditionally heterosexual public image of lowrider culture.
The now out-of-print East Side Story anthologies feature doo-wop and soul oldies often released as the B-Sides of popular hit records. From the 1970’s to present day, the compilations have been embraced by lowrider culture, and for those who love the records, the albums have served as a soundtrack to love, heartbreak, and desire. The original East Side Story album cover photos depict a proud homeboy with his lowrider, at times shown standing with his lady in her Black Orchid lipstick, and other times posing in the company of his homies.
Collaborating with Bay Area car clubs and the local Latin@ queer community, the artists have thoughtfully reconsidered each cover to reflect a contextual re-imagination of the culture that has often firmly rejected it. In doing so, The Q-Sides photo series has developed a new narrative to complement the ubiquitous East Side Story albums. The Q-Sides are presented as the conceptual flip-side of the B-Sides, where queer homies are shown as proud of their rides, their ladies, and of the company of their jot@ homies.
Filmmaker and performer Vero Majano grew up on the periphery of lowrider culture in San Francisco’s Mission District. Through her use of archival film footage in video production and storytelling, Majano has ensured that Mission District lowrider culture is cemented as part of San Francisco history. Amy Martinez, from Long Beach, California, grew up listening to the East Side Story albums and is now a DJ and avid record collector. DJ Brown Amy co-founded the popular queer soul party Hard French, which centers on new experiences in dancing to oldies. Many members of this Hard French community appear as models in the photographs taken by San Francisco photographer Kari Orvik, who uses the original images as a basis to choreograph these scenes into new visual narratives.
Complementing The Q-Sides photographic series, the documentary film Homeboy by artist and filmmaker Dino Dinco examines the cultural experience of queer Latino gang life through interviews from a varied generation of former LA gang members.
The Q-sides is a grantee of Galería's ReGen Fund—a technical assistance, capacity building, and small grants program serving Latino, Indigenous and Native American Artists. In addition they received support from the San Francisco Arts Commission, the National Association of Latino Arts and Cultures’ Fund for the Arts Grant Program, and San Francisco’s Queer Cultural Center.